The hip-hop architect on how music and the environment can influence one another
By looking at how architecture changes the community, Michael Ford want us to consider how community can shape architecture From its early roots in the Bronx to its current status as a worldwide cultural movement, hip-hop has never lost its street-level sensibility. When writing songs, rappers and lyricists trade in the currency of credibility, constantly dropping the names of street corners, city neighborhoods, even specific buildings and housing projects to connect listeners with the urban environment.
Hip-hop is often about place. And, according to architect Michael Ford, it is place?often poorly designed, underfunded, and cut off from the rest of the city through bad urban planning and structural racism?that birthed the genre. Ford, who has been tapped to design the forthcoming Universal Hip-Hop Museum in the Bronx, has helped coin the term ?hip-hop architecture,? popularizing the concept as a lens for looking at the intersections of culture and the built environment.
But it?s not just about looking back at the ways urban planning and housing policy created the environment for new forms of music; it?s how the ethics and ethos of hip-hop can help inspire new solutions for designing our cities.
?I?m looking at the intersection of architecture and hip-hop,? Ford says. ?I use hip-hop to look at the impact architecture has had on the community, and the impact my profession has made. Architecture has shaped communities, but we can go back and reclaim them, and reconn...
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